Talaivi Review Kangana Ranaut Rocks as Jayalalitha

kangana raunat

Bollywood firebrand Kangana Ranaut is known for Lady Oriented films. The heroine has made a name for herself in the film industry by making priority films. She has recently acted in another lady-oriented movie ‘Talaivi’. Actress, former Tamil Nadu Chief Minister late Jayalalithaa based on the life of director Kangana played the title role while Arvind Swamy played the role of former Tamil Nadu Chief Minister MG Ramachandran (MGR). The film, which was made on a pan-India scale, was released on September 10. Let’s see in the review how much this ‘Talaivi’ has captured the minds of the audience.

Talaivi Review Kangana Ranaut Rocks as Jayalalitha

‘Talaivi’ Means


As the director had said earlier, the story of former Tamil Nadu Chief Minister Jayalalithaa from the beginning of her film career until she took over as CEO is ‘Talaivi’. Born into a large family, Jayalalithaa (Kangana Ranaut) falls into poverty due to some circumstances. However, her works very hard to make it bigger. Jaya becomes a heroine at the age of 16. At a very young age,she gets the chance to act with a star like MG Ramachandran alias MGR (Arvind Swamy). After that, they became a super hit duo in Kollywood. What kind of affiliation does Jayalalithaa have with MGR in this order? Jaya is busy with a series of films as a film actress. Why did she have to come into politics? What political developments took place in Tamil Nadu after the death of his favorite MGR? What were the challenges faced by Jayalalithaa in taking over the Chief Minister’s seat? If you want to know, you have to see ‘Talaivi’.

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Talaivi Review Kangana Ranaut Rocks as Jayalalitha

Who did it?


Kangana was cast in the role of Jayalalithaa. Unless Jayalalithaa appears on the screen .. Kangana Ranaut will not appear from any source. If you watch this movie, you will understand why she is called the best actress in the nation. The scenes that go away with the MGR evoke a nice emotion. After Kangana, Arvind Swamy is the most mature character in the film. He lived up to his role as MGR. Star‌ made special gestures as a hero and a politician. Samudrakhani enlivened the role of Veerappan, a follower of MGR. Nazar‌ once again showed his experience on screen in the role of Karuna. Bhagya Shree, the actress of the day, played the role of Jaya’s mother, Madhubala played the role of MGR’s wife, and Poorna played the role of Shashikala.

How is it?


The film is based on the life story of the late former Chief Minister Jayalalithaa, who has earned a firm place in the hearts of the Tamil people as ‘Amma’. Director AL Vijay only showed the story of Jaya’s life, which took place between 1965 and 1991, when she was sworn in as Chief Minister for the first time. In addition to story selection, character selection is also important for a film. This is what determines the success of a film. When the National Best Actress Kangana was selected for the role of Jayalalithaa .. then the film was half successful. It is the director who showed her cinematic life in the First half. The second half showed her entire political career. While highlighting the role of MGR, the director was careful not to diminish the role of Jayalalithaa.

The bond between Jaya-MGR‌ was also very nicely shown on screen. Jaya, who does not want to be in politics, has designed the scenes very well to explain why he had to come into politics. The scene where Jayalalithaa is nicknamed ‘Amma’ by the Tamil people is also very well done. Jaya has shown that there is also a turning point in life after coming into politics. Scenes of her own party leaders conspiring against Jaya and sending her to the Rajya Sabha were also touching. The aftermath of the MGR’s death is a thrilling screenplay. The second aspect of Jaya was also shown Another major strength of the film is the music of GV Prakash Kumar. The songs are not so impressive but the background music is catchy. Vishal Vittal Cinematography is very good. Some scenes in First half had to be cut. The production values ​​are good

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